Kaelen Ohm Talks Bringing Inner Extreme Skier to Film Roles: “I Want to Find the Steeper Hill to Go Down”

Kaelen Ohm says what got her as a fearless young skier better and faster down mountains in small-town Canada now drives her climb onto everyone’s call sheets as a go-for-it actor, filmmaker and musician.

Ben Shelton vs. Alexander Zverev Livestream: How to Watch the U.S. Open Men's Tennis Final Online Free

STREAMING GUIDE

Zverev chases his second Grand Slam title of the year, while Shelton could be the first U.S. man to lift the trophy since Andy Roddick in 2003

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Netflix’s ‘Scooby-Doo: Origins’ Wraps Production Ahead of 2027 Release

Netflix’s “Scooby-Doo: Origins” has wrapped production, the company announced Sunday. The live-action series is set for a global release on the streamer in 2027. 

Per the series’ official logline, “Scooby-Doo: Origins” is a “modern reimagining of the iconic mystery-solving group of teens and their very special dog.”

Fina Strazza to Star in, Produce Romantic Drama ‘Any Way You Want Me’ (Exclusive)

Fina Strazza, the Fear Street: Prom Queen and Paper Girls star, is set to produce and star in the romantic drama Any Way You Want Me, directed by Rana Strazza, who is also her mother.

Olivia Wilde Has Entered Her ‘Lack of F-cks Given’ Era

O livia Wilde would be the first to tell you she knows nothing about farming. But recently, the actor turned filmmaker was talking to a friend and the subject of fallowing came up. “It’s when farmers take a year off and the soil gets turned over,” she explains. “It becomes full of nutrients again. I heard him describe the artistic need to give the crops some time off and let everything rejuvenate.” She pauses. “After what I went through, I could have just jumped right back into the ring. But I took some time to turn the soil over.”

Toronto: Irene Dionisio’s ‘IDDA’ Lands at FilmClub Distribuzione for Italy (Exclusive)

FilmClub Distribuzione has acquired Irene Dionisio’s IDDA Mount Etna drama for Italy after a world premiere at the Toronto Film Festival as part of the Platform program.

The deal with Rai Cinema International Distribution is for Dionisio’s second narrative feature that stars Tecla Insolia and Romana Maggiora Vergano and is being shopped at TIFF: The Market in Toronto. IDDA follows childhood friends Adele and Sofia, now in their thirties, whose lifelong bond is challenged during a journey through the volcanic landscapes of Sicily’s Mount Etna.

‘On Behalf of My Son’ Director Gabriel Martins on Black Brazilian Representation in His Films: ‘It’s a Life Project To Me, Not Just Cinema’

In 2022, Gabriel Martins made waves at the Sundance Film Festival with “Mars One,” a sprawling ensemble drama chronicling the life of a Black Brazilian family. At that time, the industry was still wrestling with what a post-pandemic future would look like and, despite “Mars One” having a strong festival run, Martins struggled to secure financing for his follow-up.

I’m a Princeton Student. The Story of Its Ties to Slavery and Exploitation Must Be Remembered

Editor’s note: This story is part of a special series by Princeton University journalism students reporting on the discovery of an African burial ground in Key West, Florida, and how the legacy of slavery still reverberates there and beyond.

'Buffy the Vampire Slayer's' Fan Favorite Characters Get Killer Monster High Doll Release

Stake Your Claim

The Buffy and Angel two-pack recreates the iconic duo with character-inspired looks and accessories from the series

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‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance

More than six years after Ilya Khrzhanovsky premiered “DAU. Natasha” and “DAU. Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU Cinematic Universe. Turns out, however, that you can’t keep a good immersive multidisciplinary art project dau. Or even a flawed and ethically questionable one: Allegations of physical and psychological abuse on the sprawling set of this years-long undertaking have surfaced prominently, but not enough to deter the Venice Film Festival from programming “Dau” — seemingly, as implied by the back-to-basics title, Khrzhanovsky’s attempt to extract a quintessential dramatic epic from untold reams of material — in its main competition.